As NYC real estate gets more expensive, many projects have less space to work with.

When Steve Vavagiakis designed Crystal Sound in NYC, Mix magazine ran an article regarding the creative use of space.

Continuing the tradition, when Sweetsound’s principal wanted to have two control rooms in a space usually reserved for one, we designed the rooms to work either as two control rooms or as one; thus utilizing the second control room and its booth as isolation rooms for larger ensemble projects.